Archive for the ‘Articles’ Category

Remember Jack Nicholson’s famous line in the movie A Few Good Men, where he explodes on the stand while being interrogated by Tom Cruise. “You can’t handle the truth!” he delivered with the voice and power only Nicholson can muster, to the cross examination directive that he tell the truth.

Although most viewers would be on the side of Cruise’s character, rather than the manipulative character played by Nicholson, I have to say that sometimes that’s how I want to respond to people who ask me questions and then don’t like the answers they receive.

I truly enjoy receiving writers’ questions by email. I usually reply directly to the individual if my schedule permits. However, aside from time constraints, one reason I’m considering ceasing my personal replies and only responding in my blog or newsletter is because people sometimes get angry when they receive information they don’t like and then get indignant and even arrogant about my reply. Worse are the ones who ask my advice and then go ahead and do it their way, only to experience what could have been avoided if they had followed the advice they sought.

The reason that I continue to answer questions is for the people who are serious about learning how to achieve their publishing goals and are willing to do whatever is necessary.

When Nancy Kaiser first contacted me last January, she said she wanted to self-publish her book, Letting Go: An Ordinary Woman’s Extraordinary Journey of Healing & Transformation, but wanted the assistance of someone who could guide her through the process, something most POD services don’t offer. When she sent me her manuscript to review, it was 180,000 words. I told her that was about twice as long as it should be for a first-time author writing a memoir. She replied it had just been cut down by half from its original size. I offered to send her a sample edit that would indicate how she could cut even more.

Nancy wasn’t pleased with my suggestion, but she went back to her editor and together they managed to reduce the manuscript to a more manageable and cost-effective size. Through the entire publishing process, Nancy listened to the advice of the professional designer and editors she hired to help her. She held firm to the vision she had for the cover and the integrity of the contents, but she was willing to revise and improvise whenever necessary. She never argued or refused to comply, and often a compromise was possible.

The result? A book that tells a remarkable story cased in an absolutely beautiful cover that is receiving rave reviews from readers all over the world.

Whether you ask questions by email or in person at a writers’ conference or author presentation, accept that the answer is given from the person’s experience. We’re not making the rules or inventing the process, so don’t shoot the messenger. There’s lots of things about this business that are frustrating, but I’ve found that many of the silliest-seeming procedures are there for a good reason, whether I like it or not. Publishing is not for the feint of heart or those easily discouraged. I’m reminded of one of my mother’s favorite expressions: “If you can’t stand the heat, get out of the kitchen.” And for goodness sake, “Don’t get saucy with me, Bearnaise.” (Harvey Korman, History of the World, Part I)

I recently discovered a website that offers a terrific service for free. Whether you are a freelance writer or book author, I believe you’ll be interested in checking out HelpaReporter.com, or HARO. The site belongs to Peter Shankman, who heads his own PR agency. The service serves two purposes: journalists (e.g., freelance writers) can submit requests for sources, or individuals (e.g., authors) can subscribe to read the queries and send their info in response.

So whether you’re writing an article or want to be cited as an expert in someone’s article, this service is an amazing tool to get what you want. Once you’ve signed up as subscriber, you’ll receive three emails a day with anywhere from 15-40+ queries from journalists (which include print, Internet and broadcast media) looking for people to interview for a variety of assignments, and if you’re a match you can submit. If you’re a journalist looking for a source, you can post a query. He already has over 25,000 subscribers, so getting your request in front of thousands of eyes can beat spending hours on the Internet and phone trying to find someone who meets your needs.

I subscribed to this service about a month ago and found myself emailing clients and friends who I thought were right for various stories. It got too overwhelming to read for myself and others and get any work done, so I directed interested parties to subscribe themselves and sent a tip sheet on how to respond to queries. My original intention was to share the sheet with my clients only, but then I had a “I could’ve had a V-8″ moment and realized everyone could benefit from the tips. So read on if you want to know the right way to respond to a journalist’s query or make a blind pitch. (If you need an incentive, my client, Paula Holland De Long, was recently interviewed by Aventura Magazine as a result of replying to a query using these tips.)

How to Respond to a Journalist’s Query or Request for Expert Sources
It’s very exciting and a good opportunity to reply to a journalist’s query or request for expert sources. However, there are conventional rules of procedure to follow, or you risk being labeled a pest rather than a valuable resource! Here’s how to submit your expertise, book or product to a media request. (These rules apply to “blind” pitching, too.)

Only respond or pitch if you are an appropriate match for the topic. Don’t try to stretch the truth, present yourself to be something you’re not or promise what you can’t deliver.

Give the request serious thought before dashing out your information. Read the request carefully. What is the angle of the story? Who is the audience? Then present your material in a manner that is consistent with the needs of the story and the audience.

Open with an introduction about why you are writing (I’m writing in response to… or to suggest…). Indicate why you are an expert, but keep to a sentence. “As a licensed physical therapist with Such and Such Medical Group, ….”

Present your information and specify how it is relevant to the subject of the article or show. Make your presentation to the journalist very clear; don’t assume that he or she will connect the dots between what you are sending and what they need. If this is a blind pitch, then it’s even more important to establish how your information can benefit or be of interest to the audience.

Put your short bio at the end, with your contact information. If you have a book, include “[your name], author of…” Always end with “I’d be happy to provide additional information for this or any other article (show, etc.) that you are preparing about (the subject). Please let me know how else I can help you.”

Keep it short. This is not the time to submit your media kit, photo or any self-serving attachments. The purpose of your response is to feed enough information to the journalist to prompt a call or email for more information. If you are contacted, remember that the goal is to serve the press, not to get free publicity. If you help the journalist, your name or product may be cited in the newspaper, magazine or media broadcast. Although that’s the ultimate payoff for you, your purpose in replying to requests or sending pitches is to help the journalist do his or her job, which is serving the needs of the audience.

Be mindful of deadlines.

Be realistic. You may think you’re the perfect source or match for the journalist’s needs, but you won’t get a call every time you submit. However, if you establish a pattern of consistent quality and reliability (they can call you for a quote when their deadline is in 15 minutes), then you’ll develop a valuable relationship that will pay off for you many times over.

I had a new writer contact me about an article she had written for a photo-editorial fashion spread. Here’s what she wanted to know:

“A photographer friend and I recently did a fashion shoot as a part of a fashion and environment awareness idea that we came up with. The images are beautiful and the story is relevant to the ‘going green’ movement showing how. Because it is not your typical fashion magazine spread that’s trying to sell a specific product, but is more of an informative approach, I am trying to figure out which publication it is best suited for. Possibly a magazine that’s in need of content? Should I expect to pay to have this first item published? and if so, how much should I expect to pay?”

Here’s my response:

Sounds like a great concept and very timely, too. You should not pay to have your work used; you should be paid. I’m guessing that the photographer has either given you the rights to the images or you will be submitting the work as a photo editorial. You both should be paid for your contributions. What you can get depends on the quality of the work and the publication’s budget. Small, regional magazines don’t have big budgets, but typically would be interested because they lack the staff to do it on their own. Many fashion spreads are shot and written by freelance contributors. What about the fashions featured? The designer or the store that supplied the clothes should be credited.

Paying to have your work published in a magazine or other print publication is advertising. Do not confuse it with self-publishing a book, where the author assumes the production costs but receives all the profits from book sales.

You’ve done it! You’ve finally gotten that story or nonfiction book idea down on paper (or computer file). Now what? How do you know when your manuscript is ready to submit?

Many first-time authors write to me, asking me to review their work. Here’s a portion of a letter that is representative of what I receive. (I’ve eliminated the portions that contain the confidential descriptions of plot, etc.)

“I have completed my first manuscript. Briefly it is a fictional story of approximately 43,500 words, single space, which describes the lives of various characters who become intertwined with each other.

[The author described the characters, summarized the plot and suggested potenial genres where the story might fit.]

I would like to send you a complete copy of the manuscript for your honest opinion and critique. Can I mail it to you as my file on the computer was lost due to computer crashing.”

I applaud writers who seek a professional opinion before taking the next step. This writer was on the right track by including the word count, genre, character and plot description. However, I did notice some things that would cause an agent or editor to reject the manuscript.

Here are some tips that can serve as checklist for manuscript readiness before you submit:

The copy should be double spaced. Additionally, use one-inch margins all around, and paragraphs should be indented with no extra space between paragraphs. Bonus tip: Use only one space after a period.

Adult novels are generally 75,000-100,000 words. However, some small publishers will accept short novels, called novellas. Nonfiction should be in the 65,000-85,000 word range.

To identify your genre, ask yourself–where would this book fit in the bookstore (what shelf/section)? What other books (that sell well) are like it? To identify your potential market, ask: Who will read my book?
As far as plot and character development, ask yourself:
Does the plot follow an arc pattern? Are your characters (especially the main character) different at the end than the beginning? Does every scene move the story forward? Does each chapter end with a page-turner? Is the dialogue natural?

Do not lose your work! Always backup on CD or an external drive. You will need both digital and hard copies of your manuscript.

In my seminars, I always offer this advice: Writing is a passion. Publishing is a business. Educate yourself about the publishing process the same as you would when entering any new business.

Where can you get the information you need? You can attend writers’ conferences, seminars and workshops. Subscribe to writers’ magazines. Read books on the topic. I recommend my book for both fiction and nonfiction writers, and so do a number of my readers. Here’s a review from someone who took my teleseminar last April, which used 4Ps to Publishing Success as the text for the course:

“As an aspiring author I have looked at various books on publishing, many of which left me feeling overwhelmed. 4Ps to Publishing Success is a great find because it inspires you to take action. The information is clearly presented and the exercises get you moving in the direction of completing your book. Thanks for helping me move forward towards accomplishing my goal!”
–Laura Baylor, Physical Education Teacher

The addendum to that endorsement is that Laura has just let me know to expect her completed manuscript at the end of this week. From manuscript notes to completed manuscript in four months! Much can be accomplished when you have a guideline to help you complete the task.

I’m hardly the Emily Post of the Internet, but I can give you some pointers on how to communicate with people you don’t know via email. Why am I qualified? I receive hundreds of emails from people I don’t know. Some are trying to sell me something; others have a question or want information from me.

I love hearing from my readers, but I do delete some emails without responding based simply on the presentation. My logic is that I’m in the communication business and I want to work with people who take all forms of communication seriously. I can overlook an occasional misspelling and word left out–we all make mistakes. But I truly do not have time to decipher emails that are riddled with errors and can barely be understood because of poor organization and format.

If you are sending an email to someone you don’t know, you certainly want to make them feel you are someone worthy of their time and attention. Here’s what I (and most people) love to see:

My name spelled correctly
Minimal typos and no “shorthand” spellings (u for you, LOL, etc.)
Use of paragraphs rather than one large block of type with sentences all running together
An introductory connection such as, “I was recommended by,…, “I read your article in…” or “I’m writing to you because…”
No slow-loading graphics or blinking icons
No large attachments
The writer signs his or her full name
The writer provides contact information in an email signature

An email signature can be set up in any email program. Check your program’s Preferences menu. Information to put in your signature can include your full name, title, company name, website and/or blog address and phone number. If you have a book or program, include the title. Providing these items identifies you and advertises for you at the same time, so it is in your best interest to use this feature. You can elect to have your signature in all your outgoing mail, so you don’t have to type it out each time.

Most of these tips are simple to apply, yet many writers send out a query or email in haste as if they were dashing off a note to a friend. Good business practice still dictates a degree of etiquette and protocol, even in the fast-paced, instant-gratification, seemingly identity-less atmosphere of the Internet. You may not be doing business face to face anymore, but that’s all the more reason to set yourself apart from the crowd and make a good first impression with your email correspondence.

Before you write even one word of your novel or nonfiction book, your first step should be to identify your target audience. Ask yourself, “Who will read my book?” (BTW, the answer is NOT “Anyone who can fog a mirror.”)

Marketing experts, literary agents and book editors all agree that the more specific you can be about your audience, the more likely that your work will be saleable. Guidelines for defining your readership include the answers to these basic questions:

What is their gender?
What is their age range?
What is their economic bracket?
What is their level of education?
Where do they live?
What do they want and need?
What do magazines/newspapers do they read?
What are their favorite TV shows and/or radio programs?
What Internet sites do they visit?
What social networking sites do they use?

Armed with this knowledge, you can target your writing by “talking” directly to your audience. For example, you would use different tone and words when writing to a senior audience than to teens; women rather than men; techno-savvy vs. computer newbies, etc. Highly targeted writing with idioms and phrases the audience wll recognize is far more effective than bland, “this has to appeal to everyone” writing.

In addition, knowing the habits and haunts of your readers enables you to find them and market your work! A previous post highlighted how one author googled three words that described his target audience, found and joined the discussion groups where his would-be readers chatted, and drove enough traffic to his website to secure a publishing contract for his novel. Other steps you might take include writing articles for the publications your audience reads, commenting on popular blogs about your topic or subject, speaking at professional associations or memberships groups where your readers are found, and so on.

A last, but not final, reason to know your readers is so you can position yourself and your work to provide new/different information, solution to a problem or entertaining material for their enjoyment. Writing that caters to the readers’ interests and needs is an almost sure winner in any market.

The publishing world is being turned upside down by innovative and empowered authors whose messages are just too timely and important to wait for those old traditional avenues to give them the nod of approval. Are you ready to join the ranks of the “I’m in charge” authors? If so, then you can learn something from authors who are taking their futures into their own hands.

Here are just two success stories.Faced with burgeoning businesses and a desire to position themselves as experts, these two women took charge of connecting with their audiences.

Feng Shui expert and artist Pat Heydlauff has been writing a weekly article for a Palm Beach newspaper for years and sending it out to her email list via her personal email program as well. When we began working together, I suggested she use an Internet-based email delivery program to manage her list as well as put the information in a more attractive and easier-to-read format. Pat was driving traffic to her site in a number of ways: speaking engagements, her column, articles in national publications and art classes, but wasn’t getting many new subscribers as a result. I also suggested she include a highly visible sign-up box on her home page and include a bonus report as incentive for subscribing. Her subscriptions skyrocketed. Just a week ago, Pat mailed out the premiere issue of Chaos Busters(TM), her biweekly ezine, in an attractive new html format with expanded content. In addition to an article, she now answers readers’ questions and also has an opportunity to showcase her artwork and upcoming new book, Feng Shui, So Easy Even a Child Can Do It (The Lotus Circle). You can learn a lot about Feng Shui and see how to package yourself effectively by visiting her website, Energy By Design.

Life coach and cancer survivor Paula Holland De Long took a folder full of notes about article and book ideas and decided to put them to work for her. When we started working together, Paula was long on great ideas and short on organization. After separating, categorizing and prioritizing her list of ideas for writing projects, giving seminars and leading support groups, Paula went to work on her list. In just eight short months, Paula has generated some amazing results. She has started a very successful program to help cancer survivors adjust when treatment ends, given at two major medical venues in South Florida as well as a teleconference action group for women. She recently had an article published in a national magazine and her monthly ezine newsletter, Thrive! debuted two months ago. Paula also uses a prominent subscription box on her home page with a bonus incentive for joining her mailing list. You can find great information for cancer patients and their families and observe how to present professional services and products at her website, Coach for Living Online.

Neither Pat nor Paula are graphic designers or technology experts, and they prefer to apply their time and skills to the best use in their professional work. They both use Constant Contact to manage their lists and deliver their newsletters. I use Aweber to deliver this newsletter. Aweber offers additional features that I wanted such as autoresponders and a “hover” subscription box. There are many other services available as well. The ones mentioned here are the ones I have used, so I feel comfortable recommending them.

One more tip about starting an ezine. If you have not published a regular newsletter before, start with a monthly issue. You may love it and want to increase frequency later on. However, a weekly issue is a big commitment. It’s always better to increase your frequency than to decrease from weekly to monthly distribution.

Most services offer a free trial period, so get started today!

If you’re interested in making substantial and immediate headway into gaining exposure and what agents and publishers term a “platform,” then the Internet should be your weapon of choice.

Here are just two stories making headlines this week that illustrate the power of the Internet.

A recent commentary on Forbes.com by Sramana Mitra reported that Elle Newmark, 56, a former advertising professional who had gone through four different agents on four separate book projects, decided that she “didn’t have time for this anymore” and self-published her new book, a historical novel. Once the book came out, she “looked to the Internet to build a readership.” Newmark decided to throw a virtual book launch party and sent out 500,000 email invites to agents, editors and reviewers. (The article did not say how she did this without spamming, but that must be another story.) The result? Her book became an Amazon bestseller the day of the virtual book launch, and she secured a William Morris agent and a contract with Simon & Schuster within two weeks.

If you’re thinking that Newmark was an advertising exec who probably had a lot of insider friends and experience with Internet marketing, consider the story of Jeff Rivera, as told to Jim Kukral.com via a podcast on Kukral’s blog.

Rivera, with no writing or marketing experience, self-published his book and set his mind to building a readership via the Internet. He googled three words that described his target audience and discovered bulletin boards where his potential readers would talk to each other. He joined the discussion groups and with only an email signature, jpeg of his book cover and a link to his website, he was able to drive so much traffic to his site, he convinced an agent and publisher that he had a strong enough following (platform) to ensure a successful book.

A few years ago, I attended a Mystery Writers local chapter meeting and met MJ Rose, the first author to use the Internet to successfully market her self-published book and garner an agent and publisher. She used the same strategy, but she did it by chance. Shortly after she published her book, she adopted a puppy and was having difficulty housebreaking him. She joined an online group for new dog owners and used her name and book title in her email signature. One day, someone asked about it and the rest is history. Rose is considered the poster girl of Internet marketing. Check out her blog, too.

In her commentary for Forbes, Mitra observed, “The trend also tells me that in today’s world, aspiring authors stand a higher chance of success if they take more of their destiny in their own hands… Indeed, rules of engagement with agents and publishers are changing because of the power of print-on-demand and online marketing, and in that changing landscape, authors need to reinvent themselves as Internet entrepreneurs.”

But you read it here first.

Consider the following headlines from recent trade and consumer publications and see if you can spot the trend:

F+W Publications is Now F+W Media
Young Authors Turn Online Collaboration into Book Deal
Unbound: Publishers worry as new technologies transform their industry
Bowker Reports U.S. Book Production Flat in 2007: Traditional publishing steady, but “on demand” publishing soars as new technologies reduce barriers to entry
Authors Find Their Voice, and Audience, in Podcasts
Book Not Ready for Print? Whip Up an Audiobook for Now
Use Podcasts to Promote Your Books
Why Blog? Reason No. 92: Book Deal
Thumbs Race as Japan’s Best Sellers Go Cellular
Penguin Sees Major e-Book Sales Spike

I’m sure by now you get the gist. Technology advances have played havoc on the staid publishing industry and now even the most conservative of the big houses are shifting their focus to include ebooks, interactive media and audio-visual formats. Well, it’s about time, considering innovative authors and communicators have been doing it for years.

The good news for aspiring authors is that today you don’t need someone’s approval to present your message to your intended audience. I believe there will always be the place for the big publishing houses and literary agents, but it’s not the only game in town anymore. Please understand that this is not an invitation to put out poor quality work; doing so will result in failure in any market. What this means is that now your voice has a choice.

Don’t let age or lack of knowledge stop you. I wasn’t born cable-ready (like my children), either. It’s no harder to find out how to blog, build a website, start an ezine or create a podcast than it is to learn how to write a query letter, find and agent or prepare a book proposal. If you are open and receptive to the fabulous world that technology is making available to us, you can see your writing career soar.

If you’re still intent on securing a traditional publishing contract, remember that today’s big houses consider the value of a prospective author’s platform as a huge portion of the acceptance criteria. There’s no better and quicker way to build your platform than a blog, YouTube and social media. If you don’t know what I’m talking about, hire an intern or assistant from your local college, ask your kids or grandkids–but learn how to do it. Do it now.

You can start by subscribing to some of the print and online resources I used to get the headlines quoted in this article. Most of these publications offer free online versions or ezines. They are: The New York Times, Publishers Weekly [PW Daily], Booktrade.info, PublishersMarketplace.com, Communications Solutions, Globe and Mail, Economist.com, Bowker and Writer’s Digest.

Many of the articles I read come to my attention through the use of Google key word alerts. In an upcoming post, I’ll cover how I use this free service to track the industry trends and my own progress.

Do you have a publishing dream? Have you written it down? Articulated and visualized what publishing success means to you? Good! (I’m envisioning you all nodding your heads, “yes.”)

So, how’s it going? Are you closer than you were a year ago, or do you feel you’re spinning your wheels? (My guess is that my reading audience just split into two groups: one group is smiling, the other group is frowning.)

My “guess” is not a random supposition. After 30+ years of working with writers as an editor, consultant and publisher, I’ve seen many writers succeed while others fail. The difference between the groups is rarely due to talent alone. Successful authors share five traits that separate them from the wannabes. And, here they are:

The 5 Traits of All Successful Authors
1. Successful authors have a personal mission. Their writing stems from a deep need to share their personal passion with the world.

2. Successful authors are persistent. They do not let setbacks or rejection stop them. They develop an attitude of persistence rather than resistance.

3. Successful authors make educating themselves about their craft and the publishing industry part of their plan for success. They subscribe to trade magazines and ezines, attend writers’ conferences and workshops, and take writing classes or join writers’ critique groups.

4. Successful authors invest in coaching and other programs to get professional feedback on their work. They understand that critique is not criticism and are open to the feedback they receive.

5. Successful authors have an upbeat attitude. They don’t have a laundry list of excuses (circumstances) to explain why they are not successful. They understand they have to figure out a way around the obstacles and turn them into opportunities.

No one is born with these traits, but anyone can develop the characteristics of a successful author. It’s up to you to decide if you want to do the work. Choosing to put your efforts into other endeavors and enjoy your writing just for the pleasure of it is a perfectly acceptable decision. But, if you are driven to see your name in print or on a book cover, then start developing these traits and you will see your dreams come true.